A hyper-realistic, 8k, low-angle wide-shot, captured with a wide-angle lens and shallow depth of field, depicts a surreal scene with cinematic lighting. A modern smartphone, featuring a dark screen and subtle rose gold edges, lies flat on a highly detailed, weathered dark wooden plank surface, which recedes into a softly blurred background with bokeh light orbs. The phone’s screen displays a hyper-realistic image of a dark asphalt road with distinct orange and white lane markings, creating the illusion of a miniature highway. A miniature person, disproportionately small relative to the phone, is depicted riding a black road bicycle directly on the surface of the phone screen, with their wheels seemingly touching the digital road, and their upper body extending above the phone’s physical plane. The cyclist is actively pedaling, leaning forward, wearing a bright yellow cycling helmet, a yellow and white long-sleeved cycling jacket, dark cycling shorts, and a large, light-colored backpack with multiple visible straps; the character’s face is to be rendered using uploaded face as reference. Behind the cyclist, several small, rectangular photographs or papers are depicted mid-air, flying out from the backpack, creating a dynamic trail, along with a faint, light-colored streak. The scene is illuminated with soft, diffused cinematic lighting, creating subtle reflections on the phone screen and highlighting the highly detailed textures of the wood and the cyclist’s gear, with a subtle motion blur on the bicycle wheels and flying papers to emphasize movement and speed. The composition employs a forced perspective to achieve this unique scale and spatial relationship.
